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覹 Survival scene
2010 覹空間兩岸攝影學術工作坊 展覽暨成果發表
【台北當代藝術中心 】
展期：12/12 ~ 19 週一公休
電話：02-2311-2626
地址：台北市中正區延平南路160之6號
｛開幕茶會、論壇｝
時間 |12/12 Sun. 14:00
主持人 |Dr. David J. Clark、黃孫權
與談人 |郭力昕
【高雄搗蛋基地 】
展期：12/24 ~ 31 週一公休
地址：高雄市苓雅區四維三路178號
策展人
Alam Shahidul
David James Clark
策劃
黃孫權
參展藝術家
傅斯博 | 梁辰 | 劉彬 | 曹歡 | 張巍華 | 李佳 |
歐怡君 | 張馨尹 | 甘志雨 | 柯念璞 | 葉思吟 |
黃郁齡 | 吳文君 | 黃嘉文 |
錢怡安 | 吳玉麗
相關活動連結：http://www.pots.com.tw/node/6716
覹空間 survival scene 2010兩岸攝影學術交流工作坊
「覹空間」，引「覹」字窺視、探查之義，與ㄨㄟˊ之音，直指當代生活空間現代化的遽變下，傾危、微弱的原生空間，如何透過來自不同場域環境人物的走訪探查，以鏡頭的窺探孔召喚，傾聽、留存，並站在毀壞消失的節點向後重生出新的意義與促成反思。在此項計畫底下，覹空間指的就是台灣這塊島嶼上，正在消失卻無力反擊的微弱空間，包括在都市計劃下含括的公館寶藏巖、新莊樂生院，在都市發展中汰劃的高雄鹽埕，或者工業發展蔓延中逐漸萎縮的農村等。這些空間都在現代化進程底下，直接被衝擊改變，卻也在空間性質改變的過程中，逐步地形成與新興都市景觀不盡相同的質變，以此成為台灣都市化腳步下，必要透過田野研究，以文字、鏡頭留存的重要空間歷史。
近年來，全球各地公共意識、環保觀念抬頭，但卻似乎因此形塑了政府的頭號公敵；環保尖兵、各類抗議群眾皆成了阻擋政策的先鋒，究竟這樣的分歧，除了官員口口聲聲強調的經濟面，是否還有其他層面的因素？我們將引領影像記錄者的鏡頭，前往這些個台灣即將面臨消失危機的微弱角落，透過鏡頭的觀察，除紀錄即將改變台灣的地景，喚醒更多人的重視，或許更可重新理解官員與民眾的矛盾與衝突的源由。
Survival Scene in its Chinese name use the word 覹, which is pronounced “wei” and possesses the definitions of “to peek” and “to observe,” to indicate the indistinctive spaces under the rapid changes of space modernization and how they are reborn with new meanings and listened and recorded by cameras’ viewers through the exploration of people from different places. In the project, “survival scene” means the space unable to fight against its disappearance in the island of Taiwan, and such space includes Treasure Hill Artist Village, Lo-Sheng Sanatorium, both of which are parts of urban plans, the Yancheng District at Kaohsiung, and the villages that have shrunk gradually with the development of industrialization. The spaces have been directly affected and changed during the process of modernization, but also they have developed to have qualities different from those of new urban areas and thus become important historical spaces that need to be reserved by words and screening.
In recent years, public awareness and the concern for environmental protection have risen around the world, but they seem to shape the prime enemy of governments. Environmental ambassadors and all kinds of protestors become the herald that hinder policies. Apart from the differences in the field of economy, which are emphasized by officials, are there any other factors that contribute to the unrest? We are going to lead the cameras of film shooters to the indistinct corners in Taiwan caught in the crisis of disappearing, and with the observation of different scenes of changing landscapes, we hope to draw more people’s attention and perhaps understand more the causes of the contradiction and conflict between officials and the public.
開幕論壇 | 影像的社會角色
時間 | 12/5 Sun.08:30-17:30
地點 | 世新大學國際會議廳
地址 | 台北市文山區木柵路1段111號2樓
與會來賓
Dr. Shahidul Alam | 孟加拉達卡Drik機構負責人
(相關報導可見： http://pots.tw/node/6461 ）
>Beyond Words: The Transition from Verbal to Visual Culture
Dr. David. J. Clark | 北京亞洲新聞中心視覺總監
>The History of Changing PhotoJournalism
常河 | 上海東方早報副主編
>論攝影記者的專業性
康旻杰 | 台灣大學建築與城鄉研究所副教授
>時間懸置中的地景敘事
Spatial Limbo-Narratives for Landscapes in Temporal Suspension
黃孫權 | 破報總編輯 / 高雄師範大學跨領域藝術研究所專任助理教授
>圓桌論壇
