2014.10.10 FRI 7-9PM
溜出金字塔：新公共藝術在中國的歷史與現實
Socially Deserting the Pyramid: Socially Engaged Art in China
策劃主持：呂佩怡｜主講：鄭波
Moderator: Lu Pei-Yi｜Speaker: Zheng Bo
For English please scroll down.
社會參與藝術系列演講
09.20 【學者專題演講】小泉元宏〈參與式藝術計畫和它在藝術政策中的困境：日本案例〉
10.10 【學者專題演講】鄭波〈溜出金字塔：新公共藝術在中國的歷史與現實〉
10.11 【新書發表】姚瑞中〈海市蜃樓四新書發表會〉
12月 【圓桌會談】吳瑪俐、梁美萍〈與社會交往的藝術—香港台灣交流展〉
12月 【藝術家對談】黃博志、高俊宏〈生產線VS.兩個1984〉
12月 【藝術家對談】陳界仁、黃孫權
社會參與藝術系列強調人的主體性與能動性，認為人類的作為一方面帶來進步的生活，但另一方面也造成環境社會的浩劫，這些惡果必須由人來解決。社會參與藝術 (socially-engaged art, participatory art或 social practice)以藝術為施力點，透過人與人之間的合作、參與、聯結、關係建立，讓議題被感知，興起一股「讓我們一起做些甚麼」的想法。此系列將透過幾種不同形式來檢視藝術與社會的關係：【學者專題演講】提供不同地域在社會參與藝術經驗與困境，包括日本、中國、法國等。【藝術家對談】讓藝術家分享其跨地域的社會參與創作經驗。【圓桌論壇】以及【新書發表】等。
呂佩怡／策劃主持
策展人，研究者，藝評人。倫敦大學人文與文化研究博士，研究興趣為off-site art（美術館外的藝術實踐），美術館議題，以及策展研究：透過展覽研究與書寫嘗試建構理論與相關歷史，同時也通過策展實踐去檢視概念，推動理論與實踐並重的當代策展，近期將出版《台灣當代藝術策展二十年：一個實驗性的書寫》。擔任2014年深圳雕塑雙年展「我們未曾參與」副策展人。曾授課於國立台北藝術大學博物館研究所、美術學院、香港中文大學文化管理碩士課程以及台北教育大學藝術與設計系。
溜出金字塔：新公共藝術在中國的歷史與現實
如何在中國的威權體制中進行新公共藝術實踐？當下的藝術參與、介入、合作、抵抗與二十世紀的中國革命與社會主義歷史經驗存在怎樣的聯繫、斷裂、挪移？此次講座並不能回答這兩個大問題，但講者將盡力勾勒出些許脈絡。
鄭波／主講
自2003年至今，鄭波（1974年生於北京）一直專注於新公共藝術的創作、研究與教學。他和北京同志活動中心、香港菲傭團地等社群合作進行創作，作品曾在陸港台及海外多地展出。他亦撰寫理論文章，是英文期刊 Journal of Chinese Contemporary Art 的编委。他在美國羅傑斯特大學視覺與文化研究專業獲得博士學位，2010-13年在中國美術學院任教，2013年至今在香港城市大學創意媒體學院任教。鄭波的工作網站：www.tigerchicken.com
Socially Engaged Art Talks
09.20 Speech—Dr. Motohiro Koizumi
10.10 Speech—Dr. Zheng Bo, Socially Deserting the Pyramid: Socially Engaged Art in China
10.11 Book Launch—Yao Jui-Chung
Dec Forum—Wu Mali, Leung Mee-Ping
Dec Artists’ Talk—Huang Po-Chih, Kao Jun-Honn
Dec Artists’ Talk—Chen Chieh-Jen, Huang Sun-Quan
The series of Socially Engaged Art Talks emphasizes on the subjective and initiative of human being. It suggests that as human being making progress in daily life it also causes inevitably crisis to endanger the environment and our society. These consequences must be resolved by the people. The practice of socially engaged art, participatory art or social practice takes art as a starting point. Through collaboration, participation, connection, relationship building, social issues can be perceived and the idea of “let’s do something together” is emerged.
This series will examine the relationship between art and society through several different forms: Scholars provides lectures and the issues relating to socially engaged art practice and dilemma in different regions, such as Japan, China, France and so on; artists conduct conversation sharing their cross-regional experiences in socially engaged art. Also, a roundtable discussion and a book launch will be held.
Dr. Lu Pei-Yi/ Moderator
A researcher, art critic and curator. She was awarded PhD in humanity and Cultural Studies from University of London. Her research interests are off-site art, museum studies and curating in theory and practice. Recently, a research-based book Contemporary Art Curating in Taiwan Two Decades is going to be published. She is an associate curator of 8th Shenzhen Sculpture Biennale “We Have Not Participated” (2014). She had been as an assistant professor of Museum Studies MA, National Taipei University of the Arts and served as a visiting assistant professor in Cultural Management MA, Chinese University of Hong Kong. She is teaching part-time in Fine art school, National Taipei University of the Arts and National Taipei University of Education.
Socially Deserting the Pyramid: Socially Engaged Art in China
How can we create socially engaged art in authoritarian China? How should we understand the connection, discontinuity, or transference between contemporary practices of participation, intervention, cooperation and/or confrontation and historical experiences of revolution and socialism? This talk will not be able to answer these two big questions, but the speaker will attempt to sketch out some outlines.
Dr. Zheng Bo/ Speaker
Zheng grew up in Beijing. He has been making, teaching and researching on socially engaged art since 2003. He has worked with a wide range of communities, including the Queer Cultural Center in Beijing and Filipino domestic helpers in Hong Kong. He has exhibited in Hong Kong, Mainland China, Taiwan, Austria, Sweden, etc. His essays have been published in multiple journals and books. He is also a member of the editorial board of Journal of Chinese Contemporary Art. He received his PhD degree in visual and cultural studies from the University of Rochester, US. From 2010 to 2013 he taught at China Academy of Art in Hangzhou and has been an assistant professor at the School of Creative Media, City University of Hong Kong since 2013. Zheng’s website: www.tigerchicken.com
台北當代藝術中心由文化部及RC Art Collection贊助營運。
TCAC is sponsored by the Ministry of Culture and RC Art Collection.
