2014.12.19 FRI 7-9PM
社會參與藝術系列演講五「藝術家的異地創作與社群聯結：高俊宏 VS.黃博志」
Socially Engaged Art Talks V “Artist’s Productions in Foreign and Community Bonding”
主持人：呂佩怡 | 講者：高俊宏與黃博志
Moderator: LU Pei Yi | Speakers: KAO Jun Honn, HUANG Po Chih
For English please scroll down.
社會參與藝術系列演講
09.20 【學者專題演講】小泉元宏〈參與式藝術計畫和它在藝術政策中的困境：日本案例〉
10.10 【學者專題演講】鄭波〈溜出金字塔：新公共藝術在中國的歷史與現實〉
10.11 【新書發表】姚瑞中〈海市蜃樓四新書發表會〉
12.07 【圓桌會談】丁穎茵、黃小燕〈與社會交往的藝術—香港台灣交流展〉
12.19 【藝術家對談】黃博志、高俊宏〈藝術家的異地創作與社群聯結 〉
12.28 【藝術家對談】陳界仁、黃孫權
社會參與藝術系列強調人的主體性與能動性，認為人類的作為一方面帶來進步的生活，但另一方面也造成環境社會的浩劫，這些惡果必須由人來解決。社會參與藝術 (socially-engaged art, participatory art或 social practice)以藝術為施力點，透過人與人之間的合作、參與、聯結、關係建立，讓議題被感知，興起一股「讓我們一起做些甚麼」的想法。此系列將透過幾種不同形式來檢視藝術與社會的關係：【學者專題演講】提供不同地域在社會參與藝術經驗與困境，包括日本、中國、法國等。【藝術家對談】讓藝術家分享其跨地域的社會參與創作經驗。【圓桌論壇】以及【新書發表】等。
藝術家的異地創作與社群聯結：高俊宏 VS.黃博志
高俊宏的《兩個1984》以作品聯接起1984年台灣海山煤礦爆炸案，以及同年發生於英國中部最重要的煤礦罷工示威事件；黃博志的 《生產線—中國製造＆台灣製造》則沿著三十年前成衣產業外移中國，以及近年的回返現象來看這一條跨越海峽兩邊的生產線。兩位藝術家皆以社會議題連結兩個在地。在這創作過程中，藝術家如何找到全球／在地可以相接連的議題？如何遠渡重洋在異地工作？又如何與該地社群一同工作？身為外來者的優勢與困境又為何?
高俊宏／主講
1973年出生於台灣。個展、聯展多次。近年曾參與在香港油麻地、英國曼徹斯特、法國普羅旺等地駐村計劃，長期關注東亞諸眾、藝術機器主義、餘生、帝國、新自由主義等議題。2013年參與「我們是否工作過量」展覽。
撰有《Bubble Love》（2001）、《家計畫》（2006）、《公路計畫》（2009）、《小說 以張正光之名》（2015）、《諸眾 東亞藝術游民與佔領論》（2015）、《陀螺 生命政治與我的創作》（2015）等書。2014年以《廢墟影像晶體計畫》獲2014台新獎入選獎。國立台南藝術大學藝術創作理論博士班。
黃博志／主講
黃博志多元化的藝術實踐中主要探討農業、經濟、民生消費與生產等議題。關注地區性歷史、社會生態演變的書寫與調查。他多重社會身份的位移成為近期創作計劃的重要關鍵——從計劃發起的執行者、勞動力的生產者到記錄的文字工作者……，藉著不同身份切身實踐下所獲得的「經驗」，尋找其中交集為文本的可能性，去重組經驗背後斷裂脫鉤的歷史、文化脈絡，並且透過製造日常消費性商品（或事件）作為與社會溝通連接的「偽裝樣式」，期待的是「藝術（商品或事件）」如何在繁複的社會關係中勾引出新的意義與定位。
呂佩怡／策劃主持
策展人，研究者，藝評人。倫敦大學人文與文化研究博士，研究興趣為off-site art（美術館外的藝術實踐），美術館議題，以及策展研究：透過展覽研究與書寫嘗試建構理論與相關歷史，同時也通過策展實踐去檢視概念，推動理論與實踐並重的當代策展，近期將出版《台灣當代藝術策展二十年：一個實驗性的書寫》。擔任2014年深圳雕塑雙年展「我們未曾參與」副策展人。曾授課於國立台北藝術大學博物館研究所、美術學院、香港中文大學文化管理碩士課程以及台北教育大學藝術與設計系。
張舒涵／側記
社會參與藝術系列進行到第五場，由單一案例討論轉向跨地
過去三十年內不論台灣內部或者外部整體世界經濟歷經許多
利用故事說故事成為入門也作為一種批判的角度，高俊宏延
Socially Engaged Art Talks
09.20 Speech—Dr. Motohiro Koizumi, Socially Engaged Art Projects and Its Dilemmas in Arts Policy
10.10 Speech—Dr. Zheng Bo, Socially Deserting the Pyramid: Socially Engaged Art in China
10.11 Book Launch—Yao Jui Chung
12.07 Forum—TING Wing Yan Vivian, Phoebe Wang, Socially Engaged Art in Hong Kong
12.19 Artists’ Talk—Kao Jun Honn, Huang Po Chih, Artist’s Productions in Foreign and Community Bonding
12.28 Artists’ Talk—Chen Chieh Jen, Huang Sun Quan
The series of Socially Engaged Art Talks emphasizes on the subjective and initiative of human being. It suggests that as human being making progress in daily life it also causes inevitably crisis to endanger the environment and our society. These consequences must be resolved by the people. The practice of socially-engaged art, participatory art or social practice takes art as a starting point. Through collaboration, participation, connection, relationship building, social issues can be perceived and the idea of “let’s do something together” is emerged.
This series will examine the relationship between art and society through several different forms: Scholars provides lectures and the issues relating to Socially Engaged Art practice and dilemma in different regions, such as Japan, China, France and so on; Artists conducta conversation sharing their cross-regional experiences in Socially Engaged Art. Also, a roundtable discussion and a book launch will be held.
Artist’s Productions in Foreign and Community Bonding
Kao Jun Honn’s “Dual 1984” links two significant events happened in 1984 – the mass miners’ strike in middle UK, and the Hai-san coalmine explosion in Taiwan; Huang Po Chi’s Production Line – Made in China & Made in Taiwan observes a cross-strait production line by tracking the circuitous route of migration of clothing industry to China happened in thirty years ago and its recent return trend. Dealing with social issues, two artists are able to connect with these two domestics. During their production processes, how do artists find an agenda which can echo globally and domestically? How to work in a foreign place? How to get involved and work with local communities? What is a foreigner’s strength and difficulties?
Kao Jun Honn/ Speaker
Kao Jun Honn was born in Taiwan in 1973. He has great exhibition record in both solo and group shows. In recent years, Kao has joined artist residencies in Yau Ma Tei in Hong Kong, Manchester in UK, Provins in France, etc., and has primarily focused on issues regarding East Asia Multitude, The Art Machinery, Survival, Empire, and Neoliberalism. He participated exhibition ‘Are We Overwork’ in 2013 and was nominated for Taishin Art Award by The Ruin Image Crystal Project in 2014.
His publication include Bubble Love (2001), The Home Project: Fond Memories Too Far (2006), AAET Archives of Aesthetics of Existence in Taipei (2009); Novel: in the name of Cheng-kung Chang (2015), Multitude: East Asia Art Tramps and Occupation (2015), Spinning top: bio-politics and my creation (2015), and etc..
Now he is studying at Doctoral Program in Art Creation and Theory in Tainan National University of the Arts (TNNUA).
HUANG Po Chih/ Speaker
Po-Chih Huang’s diverse artistic practice principally explores such issues as agriculture, economics, popular consumption and production, depicting and surveying local history and the evolution of society and the environment. His many shifting roles in society – from project executive to manual laborer to documentary writer – have become key elements in his recent art projects. Seeking points of convergence among these many experiences to serve as his text, he reassembles the fragmented historical and cultural contexts in the background of his experiences, and manufactures daily consumer goods (or events) as “counterfeits” that form connections of social communication, with the aim of exploring how these “art (products or events)” can initiate new meanings and definitions within complex social relationships.
LU Pei Yi/ Moderator
A researcher, art critic and curator. She awarded PhD in humanity and Cultural Studies from University of London. Her research interests are off-site art, museum studies and curating in theory and practice. Recently, a research-based book Contemporary Art Curating in Taiwan Two Decades is going to be published. She is an associate curator of 8th Shenzhen Sculpture Biennale “We Have Not Participated” (2014). She had been as an assistant professor of Museum Studies MA, National Taipei University of the Arts and served as a visiting assistant professor in Cultural Management MA, Chinese University of Hong Kong. She is teaching part-time in Fine art school, National Taipei University of the Arts and National Taipei University of Education.
台北當代藝術中心由文化部及RC Art Collection贊助營運。
TCAC is sponsored by the Ministry of Culture and RC Art Collection.
