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《2 Weeks 異度空間 #2》
張紋瑄 —— 書寫公廠：三流論述、二流製本、一流謠言
Chang Wen Hsuan —— Writing FACTory
時間：2018.05.04(五) – 05.18(五),1-7pm. 每週二到日開放。
地點：台北當代藝術中心 TCAC
（台北市大同區保安街49巷11號1F, 捷運大橋頭站）
㊟這是一個過程性展示，將在下列三個場景中轉換，歡迎於開放時間參觀。㊟
☞ 場景一 ☞ 三流論述：2018.05.05 書寫公廠第一屆年會
☞ 場景二 ☞ 二流製本：2018.05.12 & 05.18 叫你唱抖蕊咪發你卻給我嗯嗯啊啊 工作坊
☞ 場景三 ☞ 一流謠言：2018.05.04 – 05.18 盜版自我盜版
TCAC 2018 推出全新系列《2 Weeks 異度空間》過程型展覽，以空間做為最主要的媒介，重新想像不確定性（uncertainty）、場景（the scene）與時間軸（timeline）於藝術實踐中的意義與可能性。並且透過各種觀看管道與方法，從不同角度呈現空間場景、敘事性與表演性如何隨著時間軸展現。
第二位邀請進駐的藝術家張紋瑄，以全新計畫〈書寫公廠：三流論述、二流製本、一流謠言〉 ，探討「藝術家」、「作品」、「出版物」之間關係。藝術家的書（artist’s book）在五六零年代作為對畫廊、美術館等機構體制的反動，在現今面對數位出版浪潮來襲，在強調資本及著作權的世界中，抵抗的姿態似乎已不可得。因此透過本計劃，張紋瑄試圖在 TCAC 創造一個更自由、平等地「說」的空間與方法。預計在 TCAC 的空間中搭建盜版工廠進行重複的製造與傳遞，對照正式的研討會中知識的分享與流通，另外以禁歌卡拉ＯＫ融合當代藝術中當紅的 “Lecture Performance”形式，重新思考藝術家的書（artist’s book）、語言、知識生產機制在此時此刻的意義。
藝術家簡介 ——
張紋瑄，1991年生於彰化伸港，目前創作及生活於台中。其創作特別專注在「虛構」的課題，「虛構」在其中是一種連結歷史與政治的敘事行動，而歷史與政治在虛構中的延展，就是處理個體故事與歷史書寫之間的關係與能動性。
#2WeeksatTCAC #2Weeks #WritingFACTory
展覽過程將持續透過 Instagram 發佈：https://www.instagram.com/taipei.contemporary.art.center/
☞ 場景一 ☞ 三流論述：2018.05.05 書寫公廠第一屆年會
議程請參考活動頁面：https://www.facebook.com/events/605614749788728/
本活動須事先至此連結報名：https://goo.gl/forms/n6HzlZZkW520f9zg2 ，講義限量30份。
☞ 場景二 ☞ 二流製本：2018.05.12 & 05.18 叫你唱抖蕊咪發你卻給我嗯嗯啊啊 工作坊
學縫書會改變一個人的人格，就像庖丁學會解牛之後他就回不去了，學會把散頁縫成一本東西之後對所有2D可被針刺穿的東西都會存有強大的殺意。
12日的工作坊中藝術家將會分享製作《の日記》時的創作方法，我們試著把禁歌當成大體老師，試著在三流的論述基礎上二流地學會製本，並試著生產出一流的謠言。18日的工作坊中，我們將在酒水的陪伴下合力完成禁歌的lecture performance（i.e.卡拉OK）。
12日縫書工作坊報名：https://goo.gl/forms/gtJIGZcsdUv6oJEq2
☞ 場景三 ☞ 一流謠言：2018.05.04 – 05.18 盜版自我盜版
陳界仁有個計畫叫〈自我盜版－自由樂捐計畫〉，他授權地廠商「盜錄」自己的錄影作品「盜版DVD」，任何人只要自由樂捐，就可以隨意拿這些「盜版DVD」。
在TCAC的《2 Weeks 異度空間 #2》計畫期間內，會放著我歷來創作中生出來的出版品：《南勢庄故事集》、《の日記》、《自傳大系》、《Killing la Mainche》和《甚至與書無關：出版作為（藝術）實踐》。任何人只要自由樂捐，藝術家就盜印作品給你。
2 Weeks #2
Chang Wen Hsuan —— Writing FACTory
Date: 2018.05.04(Fri.) – 05.18(Fri.), 1 – 7pm. Open from Tuesday to Sunday.
Venue: Taipei Contemporary Art Center (1 Fl, No.11, Lane 49, Baoan Street, Datong District, 10346 Taipei, MRT Daqiaotou, O11)
㊟ This is a process-based exhibition. 3 scenes are presented as the following schedule. Come visit at the opening hours.㊟
☞ Scene 1 ☞ Third-rate Statement：2018.05.05 the First Annual Meeting of Wirting FACTory
☞ Scene 2 ☞ Second-rate Text：2018.05.12 & 05.18 Sing Me a Song But You Do Not Want To Workshop
☞ Scene 3 ☞ First-rate Rumor：2018.05.04 – 05.18 Pirate I Pirate My Own Work
Centered around TCAC’s 2018 annual theme “Art Lab,” the program 2 Weeks is a series of process-based exhibitions focusing on space as a medium. 2 Weeks attempts to imagine the possible outcome of producing uncertainty, the scene and timeline in a given space. Through various channels of seeing and viewing, the performativity, the narrative and scenes are unfold over time.
TCAC is pleased to invite the second artist-in-residence for the series 2 Weeks, Chang Wen Hsuan (b. 1991). Her new site-specific project Writing FACTory will investigate entangled relations between artists, artworks and publications. In the 50’s and 60’s, artists’ books are seen as a resistant gesture to escape from the institutionalized system of galleries and museums. It now, however, cannot sustain its independence in the digital age with monetized copyrights and capital. In order to change that, Chang will to create a space that facilitates to freely and equally produce knowledge and artists’ books. In Writing FACTory, TCAC will be turned into a pirating factory and a formal seminar venue. Both of them are contrast settings where knowledge is framed, shared and circulated. In spite of the setting of the space, a banned-songs karaoke will be held and merge with performance lecture, a popular format in contemporary art world. In so doing, Chang’s reflection on the role of artists’ book, language and the mechanism of producing knowledge in current times is then revealed.
Artist Bio:
Chang Wen Hsuan, born in Shengang, Changhua in 1991, now lives and works in Taichung. She is especially attentive to the subject of “fiction”. In her work, “fiction” is a narrative action that connects history with politics. The extension of history and politics within fiction is a way of managing the relationships and dynamics between individual stories and the writing of history.
#2WeeksatTCAC #2Weeks #WritingFACTory
The exhibition is constantly on view on Instagram：https://www.instagram.com/taipei.contemporary.art.center/
☞ Scene 1 ☞ Third-rate Statement：2018.05.05 First Annual Meeting of Wirting FACTory
Detailed schedule can be seen on the event page: https://www.facebook.com/events/605614749788728/
Please sign up for the meeting: https://goo.gl/forms/n6HzlZZkW520f9zg2 (The meeting will be presented in Mandarin and the handouts are 30 editions limited)
☞ Scene 2 ☞ Second-rate Text：2018.05.12 & 05.18 Sing Me a Song But You Do Not Want To Workshop
Learning how to sew can change a person’s personality, just as Pao Ding comprehended how to butchering cows in the way of Dao. When I learned how to put the scattered pages into a book, the desire in me to puncture everything in 2D form grows.
On 12th, the artist will present her process of making “の日記.” She invites everyone to view banned-songs as cadavers, that which together with third-rate statements to make second-rate texts. On 18th, served with alcohol, audience will sing banned-songs karaoke, merging these songs into the format of lecture performance.
Sign up for the book-sewing workshop on 12th here: https://goo.gl/forms/gtJIGZcsdUv6oJEq2
☞ Scene 3 ☞ First-rate Rumor：2018.05.04 – 05.18 Pirate I Pirate My Own Work
Artist Chen Chieh-ren had a project called I Pirate My Own Work. He authorized people to pirate his own video work “Pirate DVD.” Anyone can take one with any donation.
During the time of 2 Weeks #2, Chang Wen Hsuan’s works from preceding projects will be presented in the basement, including “南勢庄故事集”, “の日記”, “自傳大系”, “Killing la Mainche” and “甚至與書無關：出版作為（藝術）實踐”. Anyone can take a pirate copy with any donation.
