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台灣當代藝術策展二十年
20年‧10個里程碑展覽與策展議題‧100個重要展覽
以在地現實做為我們的問題意識，以書寫抵抗遺忘。
地點：台北當代藝術中心，台北市保安街49巷11號
時間：5月2日 週六 ，下午 2:30-4:30
主講：呂佩怡、王慧如、洪培馨、張品杰、張翡倩、馮馨、蒲柏諭、蕭雅云
無歷史感的「無檔案社會」中，許多珍貴的研究史料無法通過時間的考驗而漸漸流逝，被人們既緩慢又快速的忘記，新出版的《台灣當代藝術策展二十年》是對歷史遺忘的拒絕。在本講座中呂佩怡及研究團隊將以「一本策展史專書如何誕生」為主軸，分享此策展研究三年計畫的實踐樣貌與過程。
《台灣當代藝術策展二十年》一書針對九○年以來台灣當代藝術策展進行研究與書寫實踐。本書將「當代」此一在地時間點視為與八○年中後期政治解嚴與社會變動相關，更明確地將九○年代專題展覽的出現，以及對應對既有藝術機制之不滿，做為台灣當代策展研究的暫時性起點。以1992年「延續與斷裂：宗教、巫術、自然」專題展作為開端，整理到2012年，標舉出在此二十年間策展概念的推進、策展實踐層面的翻新、以及對後續產生影響力的展覽。本書內容包括四篇專文討論台灣當代策展歷程、議題與困境；五篇策展前線人物的訪談；以及十篇文章書寫台灣策展二十年來里程碑展覽與其衍生的策展議題，並收錄一百檔重要展覽的年表。透過回溯、整理、記錄、討論、書寫，為渾沌、未定案、現在進行中的台灣當代藝術策展勾勒出大致的風貌，見證其百花齊放的實驗性能量，並期待可以提供一種全球化時代下在地的問題意識、觀察與議題處理的方法。
主講者介紹
呂佩怡 策展人，研究者，藝評人。倫敦大學人文與文化研究博士，研究興趣為off-site art（美術館外的藝術實踐），美術館議題，以及當代策展研究。擔任2014年深圳雕塑雙年展「我們未曾參與」副策展人，近期策劃「微型小革命」
Contemporary Art Curating in Taiwan (1992-2012)
Twenty Years. Ten Milestone Exhibitions and Curatorial Questions. One Hundred Key Exhibitions.
Writing as the method is employed to resist forgetting, while the local reality is to be considered as our problematic.
Venue: Taipei Contemporary Art Center, No. 11, Baoan Street, Taipei
Time: May 2 (Sat), 2:30-4:30 PM
Speakers: Lu Pei-Yi, Wang Hui-Ru, Hung Pei-Shin, Chang Pin-Chieh, Chang Fei-Chien, Feng Hsin, Pu Bo-Yu, Hsiao Ya-Yun
The recently published book Contemporary Art Curating in Taiwan (1992-2012) stands as a resistance to the forgotten history in our “society of zero archive,” where many precious research references have been washed away in people’s memories in time. In this talk, Lu Pei-Yi and her research team will present their three years’ research process to reveal how this book on the local curatorial practices has been conceived.
Contemporary Art Curating in Taiwan (1992-2012) is a research and writing project to investigate the landscape of contemporary art curating in Taiwan since the 90s. The term “contemporary” draws a remark on the political climate in the post-martial law period in the late 80s and the following social changes, and further pinpoints the emergence of theme exhibitions in the 90s as an unsatisfactory voice responding to the existing art institutions as well as a tentative departure point for this research. The progression of curatorial concepts, the regeneration of curatorial practices, and influential exhibition projects of these twenty years are highlighted in this book, with the beginning case study on the exhibition Dis\Continuity: Religion, Shamanism, Nature. The book features four essays to address the development of contemporary art curating in Taiwan, the relevant debates and struggles, five interviews with local curators, ten articles to discuss the milestone setting exhibitions and their resulting issues and curatorial awareness, and a chronological chart for one hundred exhibitions. Through making the efforts to trace, document, edit, discuss and write about these ongoing and yet-to-be identified practices, this research contours the development of contemporary art curating in Taiwan and witnesses their experimental energy, offering a methodology to construct and investigate the local problematic in the age of globalization.
About the speaker:
LU Pei-Yi is a researcher, art critic and curator. She was awarded PhD in humanity and Cultural Studies from University of London. Her research interests are off-site art, museum studies and curating in theory and practice. She was an associate curator of 8th Shenzhen Sculpture Biennale “We Have Not Participated” (2014). She is going to curate an exhibition “Micro Micro Revolution” in Centre for Chinese Contemporary Art this June. She had been as an assistant professor of Museum Studies MA, National Taipei University of the Arts and served as a visiting assistant professor in Cultural Management MA, Chinese University of Hong Kong. She is teaching part-time in Fine art school, National Taipei University of the Arts and National Taipei University of Education.
