《女神我》創造一場特殊的體驗，讓觀眾沈浸在以Party作為表演的模式裡，透過在觀光娛樂產業之下表演者們身體樣貌與展示，去討論當代社會中，面對全球資本主義與網路系統中的身體政治議題。透過這些正在第一線上參與娛樂產業的藝術家們的獨特身體實踐經驗，來思考各種跨越文化、傳統、性別、身體符號的方案，如何在超量的數碼媒體資訊沖刷中，依舊維持其獨一性、不可被複製的樣貌來讓我們在那慾望已死的消費邊界下思考生命與存在的意義。

Audiences at Queen Me feel like they’re at a party, but there is a serious undercurrent to this performance. The artists hope to launch a discussion regarding the body and the politics of display in the tourism and entertainment industry, and compel us to view these issues in the context of modern society under a global capitalist system. The guest performers, who all work professionally as entertainers, will draw from personal experience to create unique expressions through movement. In looking at the intersection of culture, tradition, gender and body symbols, the performance encourages us to ask: In an age overwhelmed by digital media, how do we maintain a sense of uniqueness as we ponder life and the meaning of existence?