《關鍵字時代 – 當地理作為一種隱喻》
台北當代藝術中心（TCAC）將推出系列專欄《關鍵字時代 – 當地理作為一種隱喻》，透過非典型的文章形式與內容，想像藝術評論書寫的可能性。五位作者王柏偉、方彥翔、郭娟、徐詩雨與陳璽安將自行挑選一個關鍵字發展系列藝術評論，可進行多位藝術家同時評論，或是跨國界與跨展覽的書寫。文體也將跳脫傳統評論形式，以小說形式或是散文形式等創作型文體書寫，於中英雙語藝術媒體平台《介面 SCREEN》發表。並且於2019年由每位評論人根據書寫關鍵字中涉及的概念，策劃一「事件」。透過TCAC作為一個具有實體空間的連結點，橫向連結評論人與空間的互動，本專欄所生產的知識可以以文字之外的姿態呈現。
關鍵字：空間 王柏偉
關鍵字：世界外 方彥翔
關鍵字：媒體考古學 徐詩雨
關鍵字：加速 陳璽安
關鍵字：北京 郭娟
贊助：國藝會「現象書寫-視覺評論」專案、文心藝術基金會、蘇美智女士。
The Age of Keywords: Geography as Metaphor
TCAC is proud to announce the launch of a new column The Age of Keywords: Geography as Metaphor, in collaboration with the bilingual online art platform SCREEN. This column aims to challenge the traditional format of art criticism, re-imaging new forms of effective art criticism in our time. Five contributors—Po-wei Wang, Fang Yen-Hsiang, Guo Juan, Shih-yu Hsu, and Zian Chen—will each develop a writing series based on a selected keyword. The manifestations could be essayistic reviews that draw connections between exhibitions and artworks from different countries, or fictional, poetic pieces that question our perceptions of reality. In addition, each contributor will curate a “happening” that centers around his or her chosen keyword in 2019. Ideas and subjects generated by the writings can be further expanded and passed on beyond written texts and shared between individuals in TCAC’s physical space.
Keyword: Acceleration by Zian Chen
How Much Accelerationism: On Hito Steyerl’s Factory of the Sun
Goldfinch Restaurant, “As We Part Ways Before 2046, Thank You for Those Years In the Mood for Love,”
Keyword: Extro-world by Fang Ten-Hsiang
Keyword: Beijing by Guo Juan
The Distance Between Reality and Us
Keyword: Media Archeology by Shih-yu Hsu
Keyword: Space by Po-wei Wang
On the transition of image and space in YU Yen-Fang’s A few suggestions on disappearance III
The project is sponsored by National Culture and Arts Foundation, Taiwan, Winsing Arts Foundation and Mrs. Su Mei-Chi.
