For English, please scroll down
時間：2015年 8月15日（六），下午7－9時
地點：台北當代藝術中心，台北市大同區保安街49巷11號1樓（捷運大橋頭站）
藝術家發表：張照堂、高重黎
回應人：龔卓軍、孫松榮、蔣伯欣、陳莘——《藝術觀點ACT》企畫團隊
台灣新電影，在30年之後，是否已經結案了？從當代藝術的觀點，我們循著既有的線索，重新發現，30年前，攝影者張照堂參與了電影《殺夫》與《我們的天空》的攝影，設計者劉開設計了侯孝賢、楊德昌的一系列電影海報，並在《戀戀風塵》中扮演一位電影看板畫師，藝術家高重黎在《童年往事》中扮演攝影師，在《悲情城市》中扮演義士，林鉅成了《戀戀風塵》的美術指導並成了電影中的道士，在《悲情城市》與《尼羅河女兒》中飾演黑道，參加《悲情城市》中的打架場景，錄像藝術家王俊傑參與新電影的評論工作，姚瑞中擔任楊德昌電影《獨立時代》的美術指導並獲當年金馬獎提名，這些藝術家與新電影的交集，以及當時「筆記劇場」王耿瑜等人參與《童年往事》、《莎喲娜啦．再見》、《戀戀風塵》、《尼羅河女兒》等片的拍攝工作。
依據這些線索延展開來的特殊平面與網絡，《藝術觀點ACT》63期「台灣新電影與當代藝術地下根莖再生計畫」的整個專題製作，朝向一個將訪談、創作、策展提案與論述交織起來的論述行動，組織成一個地下根莖般漫延蔓生的紙上策展計畫。
Time: 15 August, 2015, 7-9pm
Venue: Taipei Contemporary Art Center, No. 11, Lane 49, Baoan Street, Taipei (MRT: Daqiaotou Station)
Speakers: Chang Chao-Tang, Kao Chung-Li
Correspondents: Gong Jow-Jiun, Sing Song-Yong, Chiang Po-Shin, Chen Hsin—the editorial team in Art Critique of Taiwan
Can we call Taiwan New Cinema a case closed after thirty years of its development? By employing a new perspective from contemporary art, we have rediscovered many visual artists’ engagements and activities in the film making industry: thirty years ago, photographer Chang Chao-Tang participated in cinematographic work in The Woman of Wrath and Last Train to Tanshui; designer Liu Kai designed a series of movie posters for Hou Hsiao-Hsien and Edward Yang, and played as a movie billboard painter in Dust in the Wind; artist Kao Chung-Li played a photographer in The Time to Live and The Time to Die, artist Lin Ju played the monk in the Dust in the Wind while also working as the artistic director in the production, and he even played in the fight scene as a gangster in A City of Sadness and Daughter of the Nile; video artist Wang Jun Jieh was a film critic, artist Yao Jui-Chung participated in A Confucian Confusion as the artistic director and was even nominated by the Golden Horse Award; Wang Gengyu participated in The Time to Live and The Time to Die, Sayonara, Goodbye!, Dust in the Wind, Daughter of the Nile, etc.
According to these particular connections and networks, Issue 63 of Art Critique of Taiwan presents the feature “The Revival Rhizome Plan for Taiwan New Cinema in the Context of Contemporary Art” to organize a paper exhibition in the diverse forms of rhizome as an action to re-articulate our understanding on the film development in Taiwan with commissioned interviews, artistic projects, curatorial proposals and essays.
