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開幕放映與表演：2016年8月19日（五），晚間8～10點。開幕DJ：吳長蓉。
放映：2016年8月19日至21日（週日開放）
地點：台北當代藝術中心（台北市大同區保安街49巷11號）
選映人：羅悅全
主辦單位：台北當代藝術中心、鳳甲美術館
選映片單（整點輪播）：
Studie nr 8 – Oskar Fischinger (1931)
無題[波蘭布朗紐之歌] – Alicja Rogalska (2011)
牧岐與繪畫 – 謝牧岐 (2009)
湧動 – 黃博志 (2006)
the Liquid State (Chapter 1) – 陳敬元 (2009)
紀錄片IX 下一站 – 吳長蓉 (2010)
The Sound We See：A Hanoi City Symphony [Live Recording] – Hanoi DocLab and the Echo Park Film Center (2013)
就在電影的聲音同步技術開始普及的1930年，德裔美國人Oskar Wilhelm Fischinger製作了一系列有聲的實驗動畫短片，片中抽象的圖案與聲音緊緊相隨，至今看來仍饒富趣味；這或許是動態影像史上第一次使用動態影像去讓聲音「被看到」的嘗試，開展出視覺與聽覺兩種感官聯動的新可能性。
本次放映所挑選的作品，配樂在其中都佔有重要的感官比例，甚至，影像剪輯方式就是為聲音所引導。這些作品在過去的展示方式，多半是放在「錄像」的脈絡裡，聲音與音樂都被放在其次。本選映邀請觀眾在觀看的過程中，重新注意到這些作品聲音，和藝術家如何思考聲音與影像的關係。
關於選映人
羅悅全 台北「立方計劃空間」的成立者之一，「造音翻土－戰後台灣聲響文化的探索」（2014）共同策展人，並擔任該展覽讀本（2015）的主編。曾編著〈秘密基地－台北音樂版圖〉（2000）、翻譯〈迷幻異域－快樂丸與青少年文化的故事 〉（2002）。
本次放映活動特別感謝Hà Nội Doclab
TCAC錄像廳由黃其玟與Bart Dekker所贊助
Opening: 8-10PM, August 19, 2016
with DJ performance by WU Chang-Jung
Screening: August 19-21, 2016
Venue: Taipei Contemporary Art Center
Screening Programmer: Jeph Lo
Organizers: Taipei Contemporary Art Center, Hong-gah Museum
Screening list (Loop for every 1 hour):
Studie nr 8, Oskar Fischinger, 1931
Untitled [Broniow Song], Alicja Rogalska, 2011
Muchi and Painting”, Hsieh Muchi, 2009
Flovver, Huang Po-Chih, 2006
the LIQUID STATE (Chapter 1), Chen Ching-Yuan, 2009
Documentary IX – Next stop, WU Chang-Jung, 2010
The Sound We See：A Hanoi City Symphony [Live Recording], Hanoi DocLab and the Echo Park Film Center, 2013
When the synchronization of sound to film first became widespread in the 1930s, German-American Oscar Fischinger produced a series of experimental animation synchronized to music in which abstract patterns and sound intensively engaged. It still appears delightful today. Among the first overtures that visualize sound with motion pictures, it opened up a new possibility of composing through the interaction of visual and auditory sensations.
In the screening of works selected by Jeph Lo, music plays an important structural role, where the image and even the editing is led by the sound. Usually shown in the context of “video art”, sound and music are frequently considered secondary in the works presented. This screening program invites audience to pay attention to the soundtrack, and consider how artists think about the relationship between audio and visual elements in their work.
About the screening programmer:
Jeph Lo co-curated the exhibition Altering Nativism: Sound Cultures in Post-war Taiwan (2014), and was the chief editor of the exhibition’s catalogue/reader. Lo is the co-founder of TheCube Project Space (Taipei), the main contributor to and editor of Walk the Music – Taipei Music Map since ‘90 (2000), and the translator of Altered States: The Story of Ecstasy Culture and Acid House (2002).
Special thanks to Hanoi Doclab
TCAC Video Lounge is sponsored by Chi-Wen Huang & Bart Dekker
